Although he can’t help getting straight to the point if he finds something too disagreeable: He is considerate and avoids making dismissive or wounding comments because he has high regard for other artists and their work. – How’s it going? How are you getting on? All of a sudden, he is at your side, looking at you with intelligence and curiosity. In the workshop, the voices of some of the students who are crowded round Antonio López can be heard, and from time to time his faltering but infectious laughter can also be made out. Almost immediately, his approachable nature and easy manner come to the fore, and you soon find yourself talking to him about painting as if you were life-long friends. Three or four times a year he facilitates workshops in which painters of all ages, classes and backgrounds hope to be accepted in order to share a week together with the master.įor those of us who greatly admire his work, the initial meeting with the master is a thrilling experience. Some twenty to twenty-five artists toil away opposite still-life subjects or a model.Īlongside his tireless studio work, Antonio López has for some time now dedicated a part of his activities to teaching other artists.

He displays an enviable energy and normally interrupts his wanderings among the painters only in order to have lunch and a little rest at midday. Hands crossed behind his back, the slight and nimble figure of Antonio López moves between easels and the smell of turpentine.

Euan uglow painting technique